According to Edvard Grieg, Clara Schumann was “one of the most soulful and famous pianists of the day”. As a composer, she was admired as well. In the past five decades, the pieces she wrote were rediscovered and interpreted a lot.
Friedrich Wieck was a very determined man. The theologist was into music so much that he started studying the piano intensively. His first wife Marianne, a pianist and singer, probably was a big influence on him. In this constellation, they had five children, three sons and two daughters, the second of which was Clara.
Exploitation by Father
Once she was five years old, her musical talent became evident. Friedrich Wieck might have exaggerated when he started teaching her the piano intensively at this age. He wanted to introduce her to the public as a child prodigy as early as possible. In today’s world, his approach would have been seen as exploitation of a child.
On the other hand, Wieck may have been worried about putting too much pressure on his daughter. Different sources say he made sure Clara took long walks. Also she learned foreign languages. But music played a huge role. After only a few years in primary school, Clara was taught by private teachers. That way, more piano lessons could be built into her schedule.
Two years before her death, in 1894, Clara Schumann said her father had indeed been very understanding. He had always made sure she would not practice too much. People would of course call him a tyrant, “but I thank him on a daily basis.”
The Gender Aspect
When we look at Clara Schumann, the gender aspect is quite important, even though it should not be. Clara Schumann, born exactly 200 years ago, on September 13th, 1819 in Leipzig as Carla Wieck, became a famous composer in spite of being a woman. Even today, so many decades later, there is a gender issue in this field. Women are absolutely underrepresented in the community of composers, even in 2019.
Something happened when Carla Wieck was 8 years old. The future star composer Robert Schumann, who was then 20 years old, came to live with the Wieck family. He wanted to be taught on the piano by Friedrich Wieck. Even while Carla was still a small child they supposedly got along very well.
Once she was 16, love kicked in. Schumann, who would be one of the most respected German composers one day, just like Carla, even dedicated a composition to her. ‘Chiarina’ became part of his piano cycle ‘Carnaval op. 9’.
Carla Wieck Becomes Carla Schumann
As opposed to Carla Wieck and Robert Schumann, Friedrich Wieck was not exactly happy about the relationship they had. In fact, he took her on long concert tours and forbade any communication in letters, long before the telephone, chats and e-mails were invented. Later, Wieck brought Carla to friends of his, who were supposed to make sure she would not see Schumann.
But they supported the relationship. In the summer of 1837, Carla secretly became engaged with her boyfriend. At this moment in time, Carla Wieck became a star in Vienna, where she gave a series of concerts. After a long stay in Paris, she moved to Berlin in order to live with her mother. Her parents had separated shortly before.
Now Carla finally had the opportunity to see Robert Schumann. But in those days marrying him was not possible without her father’s consent. They took him to court to get the latter. Then, finally, on September 12th, 1840, Clara Wieck became Carla Schumann. The two lovers were together. Forever.
The couple’s apartment in Leipzig became a haven of love and music. Very often, the Schumanns welcomed visitors they would play their compositions for in private concerts. Many fellow composers were among them, including Felix Mendelssohn Bartholdy, who lived in Leipzig as well, Hector Berlioz, Franz Liszt and Richard Wagner.
For Carla Schumann, a problem arose. Her husband wanted her at his side. She was supposed to support him and play the piano less than before. This aspect was hard to digest for her. At the same time, Robert Schumann encouraged his wife to keep on composing pieces.
Two daughters were born in 1841 and 1843. Another six children followed later. Seven of them survived their childhood. A reconciliation with her father Friedrich Wieck was reached. Carla Schumann kept on performing, in spite of her husband’s wishes, and contributed to the family’s income. They moved to Dresden, and later to Düsseldorf.
Over the years, it was Carla Schumann who helped Robert Schumann to become a famous and respected composer, by interpreting his pieces on stage, apart from her own.
Johannes Brahms, yet another future star composer, visited the Schumanns when Robert was already very ill. Brahms fell in love with Carla Schumann. It is unclear whether they became lovers, but the letters they wrote to each other sounded that way. Only some of those letters survived.
At some point, Carla Schumann moved back to Berlin, and later to Frankfurt. At age 71 she gave her last concert. She suffered from chronic headaches which affected her hearing. After two strokes, she died on May 20th, 1896, at age 76.
Rediscovered in the 1960s
After her death, her work was largely forgotten. She was mainly remembered as a great pianist and as Robert Schumann’s wife who had promoted his legacy. But in the 1960s, her own compositions were rediscovered. Today, lots of interpretations of her pieces are available, along with her pieces on music sheets.
Clara Schumann’s face was on the 100 Deutschmarks banknote in the Federal Republic of Germany. “The lady on the 100 Marks bill” is unforgotten. She will live on forever, in her truly beautiful music.
In Germany she will be celebrated around her 200th birthday. On September 12th, 2019, the Schumann Festival weeks will commence in Leipzig, when the Gewandhaus Orchestra performs her Piano Concert at the Gewandhaus Concert Hall.
During the following two weeks, the remodeled Schumann Museum is scheduled to be inaugurated. And many more Clara Schumann compositions will be heard live on stage.
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