Shakatak are legendary. For decades, they have spread sophisticated Jazz-Funk. Fortunately, they are back on the road. Their tour had to be postponed a million times because of the pandemic.
Berlin, November 17th, 2020. Update: April 13th, 2022 (The Berlin Spectator) — In the late 1970s, British Jazz-Funk acts like Morrissey Mullen and Light of the World delivered some stunning sounds. The same applied to the latter band’s offshoot acts Beggar & Co. and Incognito, two groups that are still active today. This was long before The Brand New Heavies and The James Taylor Quartet were founded in 1985, and even longer before Jamiroquai entered the British Jazz-Funk arena in 1992.
Forty-two years ago, in 1980, pianist Bill Sharpe, drummer Roger Odell, slap bass hero George Anderson Junior, guitarist Keith Winter, the vocalist and percussionist Jill Saward and others extended the existing British Jazz-Funk community by founding Shakatak. Except for Keith Winter, who had to drop out for health reasons, all of the members mentioned are still in the band today.
While Beggar & Co. and Incognito hit the stages with huge brass sections, Shakatak was more restrained. They delivered genteel, unobtrusive Jazz-Funk. Their sound was different. It appealed to the Pop crowd more than the other acts mentioned, due to their Pop-compatible vocals. But Shakatak did deliver the Funk too, and still does.
‘Night Birds’ Around the World
George Anderson’s killer slap bass was always very prominent. In the 1980s, he often started their gigs with breathtaking 10-minute solos. Combined with Bill Sharpe’s brilliant keyboard and piano sounds, Roger Odell’s precise drumming and Jill Sawards percussion sounds, they developed their own Funk style. The guitarists they played with, including Keith Winter and Mezzoforte’s Friðrik Karlsson, added Rock and Fusion sounds. By doing so, they made Shakatak’s sound even more distinguishable, both in the studio and on stage.
Shakatak quickly became very popular among Contemporary Jazz, Funk and quality music enthusiasts around the world. In the early 1980s, even Roberto Morales, the man behind the radio station Jazz FM in Mexico City, could not get enough of those Brits. “Aqui les presentamos el conjunto británico Shakatak con su nueva canción ‘Night Birds'”. This is how the late Roberto Morales announced them. He played all of their stuff, including ‘Late Night Flight’, which he loved.
Jazz-Funk and Commercial Stuff
One of those early Shakatak tunes which did not become a hit in the single charts, ‘Takin’ Off’, may be one of the most typical pieces of theirs. It stands for the sophistication of their compositions, for the energy they put into their sounds, for their typical backing vocals and the stunning slap bass sound they have been known for all along. ‘Takin’ Off’ includes it all, but so do many other Shakatak tunes.
Once they managed to hit the single charts, Shakatak released some very commercial songs such as ‘Down on the Street’. At the peak of their worldwide success they recorded ‘Day by Day’ with the late Al Jarreau. Even when those chart hits were history, they kept on going. In Japan, Shakatak have always had a huge fan base. They played those venues in Tokyo and Yokohama all the time, before Corona hit. And they have recorded several exclusive albums for Japan.
Heathrow and Gatwick
‘Da Makani’ is a good example. Or ‘Golden Wings’, an album that even features a breathtaking pure Fusion piece entitled ‘One for Cara’. The records kept on coming, including live recordings. Pop and Funk, Fusion and exceptional piano solo tunes like ‘In Shadows’: All of it is part of Shakatak’s blend of music, of its history and present. There may have been some kitschy tunes too, but what is kitsch to Europeans might not be to Japanese fans. The total number of studio albums released is 31.
Today, Shakatak are as energetic as ever. George Anderson and Roger Odell are the Duracell bunnies in the band. They run their own projects on the side, including the George Anderson Band and Beatfik. And they are doing so in spite of the extensive tours Shakatak keep embarking on. Heathrow and Gatwick are like second homes to them. Brexshit does not exactly make those countless trips easier, does it? Neither does Corona, by the way.
The gifted Jill Saward is their main vocalist and percussionist. She recorded a stunning solo album as well. An interesting aspect is that none of the solo projects mentioned are far from Shakatak in regard to their style. During the Corona crisis, mastermind and keyboarder Bill Sharpe delivered excellent solo piano versions of Shakatak tunes via social media. But he also mesmerizes live audiences by playing ‘In Shadows’ on stage.
Time to get to the good news: Shakatak are finally coming to Germany soon. The invasion is going to happen later this month. Many witnesses are accusing the band of spreading sophisticated British Jazz-Funk all over the place. The verdict is ‘guilty as charged’.
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Both Sides of the English Channel
Jülich, Bonn, Dortmund and Bad Salzuflen are on the touring plan in April of 2022. On May 1st, 2021, they will raise the roof at Berlin’s ‘Quasimodo’, just before they hit stages in Bremen and Hamburg. At this point, Stuttgart, Schwetzingen and Augsburg will still be ahead of them. Tickets for their German gigs can be purchased here.
By the way: Shakatak would not be Shakatak if they had not organized a loooong tour on their home turf as well. And they will be returning to Tokyo for some gigs.
Shakatak gigs in Germany:
27.04.22 Jülich, Brückenkopfpark
28.04.22 Bonn, Harmonie
29.04.22 Dortmund, Musiktheater Piano
30.04.22 Bad Salzuflen, Hotel Lippischer Hof
01.05.22 Berlin, Quasimodo
02.05.22 Bremen, Meisenfrei
03.05.22 Hamburg, Nochtspeicher (sold out)
04.05.22 Hamburg, Nochtspeicher
06.05.22 Stuttgart, Wizemann Club
07.05.22 Schwetzingen, Alte Wollfabrik
08.05.22 Augsburg, Spectrum
Related article: Roger Odell: Shakatak’s Rhythm Master for 38 Years
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